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Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'.

Painting --- taste [aesthetics] --- portraits

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Art --- taste [aesthetics] --- art market --- collecting

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taste [aesthetics] --- illustrations [layout features] --- anno 1700-1799 --- Paris

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Sculpture --- History --- taste [aesthetics] --- Antique, the --- cultuurgeschiedenis --- antieke beeldhouwkunst

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ethics [philosophy] --- taste [aesthetics] --- Lairesse, de, Gerard --- anno 1600-1699